This copper quilt is driving me mad! I don't think I have ever spent so long over the development of a quilt as this. For once I I had too many ideas and I decided to explore all the possibilities, which has all taken time:
copper used for electrical wiring, circuits & microschips;
copper fixed to the hulls of ships to reduce the amount of fouling and thus make them faster, so slave ship owners would loose less of their 'perishable' human cargo;
copper mined in Cornwall and refined in South Wales, forming the backbone of the economy for the south west until cheaper copper was found elsewhere;
the little known copper-age, ( about 4500 B.C. to 3500 B.C.) where copper metal was worked on a relatively large scale in part because it is found in "large pure ingots in a natural state" in many different locations around the world;
Copper used in medicine as an antiseptic to sterilize, cure eye ailments, help with immunity and TB treatment, give relief from arthritis and as a contraceptive .....
The list goes on, but I wanted to research each of these ideas before I narrowed down my options.
Happily, today, I made a final decision and brought together my refined ideas to form a resolved design. It is a huge relief!
I finally decided the narrative for this quilt would be the Roman goddess Venus, who, in Western classical tradition, is the most beautiful of all goddesses and is the living embodiment of fertility, love and sexuality. Her birth and subsequent life story is inextricably linked with the island of Cyprus, ancient home of the metal copper.
Venus is also known as the 'Alchemical goddess', because she alone had magical powers that could cause both gods and mortals to do as she wished. One thing I rather like about Venus is that she does not fit the image of a 'vulnerable' woman as do many other goddesses, and in classical times was never victimised or made to suffer because she was a woman. She was mother of Cupid and many, many others; she cast spells which resulted in mortals and gods falling in love and conceiving new life; she turned a statue into a living woman for Pygmalion; she inspired poetry and declarations of love. Whole goddess cults grew around her, (some still continuing to this day) focusing on fertility and love. Such was her popularity and power, even Julius Caesar himself declared her an ancestral relative.
During the Renaissance Venus's popularity as a 'sexual' goddess made her a subject of great interest and depictions of her became the classical nude figure. What is interesting to me is though, is how, over time, such depictions have gradually transformed the notion of 'Venus the revered goddess' into a simple nude female sex object. This change is what I decided to explore with my quilt.
I have decided to call this quilt 'Goddess or Sex Object?' and have used Botticelli's painting of Venus as a starting point.
I have kept the quilt top in two parts, to reflect this dual view of Venus and have cut into the quilt to create a large venus symbol. To join the two sides I have created something 'appropriate' - I hope people can figure out what they are supposed to be!
This is how the quilt currently looks.....
It still isn't finished as I have more to work on at the top of the quilt, but I am finally happy with the direction it is going.
Thanks for looking.